11/9/2023 0 Comments Darkroom developing![]() The paper goes through four stages known as baths: The wet area is where you develop your photographic paper after exposure, handling chemicals and washing your prints. It includes the enlarger and is where you will be exposing your negatives onto photographic paper. The dry area is where you will most likely work first. There are typically two areas in a darkroom – a dry area and a wet area. I’ve used a multigrade matt paper from Ilford. With multigrade papers, you will have a larger tonal range, and can adjust the contrast by using graded filters in the enlarger instead. This can be limiting, as you can’t really adjust the contrast of the paper itself. Grade 1 offers low contrast and grade 4 high contrast. ![]() With graded paper, the number indicates their range in contrast. Papers come in different sizes, textures and grades. The bag guards your paper from light but the box does not – never leave paper loose in the box. Photographic paper usually comes in a box, and inside there’s a black, light tight bag containing the paper. Safe lights are not safe for unexposed film, however, as film is more sensitive to light than paper. When handling your paper in the darkroom, remember that like rolls of film, photographic paper is sensitive to light.īlack and white darkrooms are often fitted with safe lights – this will give you some light to work in, while at the same time be safe for handling black and white paper. There are some basics things you will need in order to make prints in the darkroom What you need to know in order to print from negatives Whether you join a shared darkroom or decide to build your own – always follow the procedure and rules of where you are printing and what brand chemicals you are using. An introduction to black and white darkroom printing - EMULSIVE Close Search for:
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